Lecture: “Making and Valuing Reproducible Metalwork in the Early Modern Low Countries”
On June 6th, a lecture by Elizabeth Rice Mattison, on the roles and meanings of reproducible metalworki in the Low Countries, will take place at M Leuven.
On June 6th, a lecture by Elizabeth Rice Mattison, on the roles and meanings of reproducible metalworki in the Low Countries, will take place at M Leuven.
“Inner Affinity. Ovid, Titian, Philip of Spain” by Jean-François Corpataux, the 23rd publication in the Studies in Iconology, is out now.
On Wednesday 26 January, Julie Beckers, Postdoctoral Fellow at Illuminare, will deliver the lecture ‘Rebuilding for Observance: Architectural changes to Santa Maria di Monteluce in Perugia post Reform, c. 1448-1485’ at the WoArch 2024 symposium in Rome.
In February-March 2024 Barbara Baert is invited professor by Stéphane Toussaint at the Centre André Chastel.
On 7-9 November, the 10th ARDS Annual conference will take place in Rome. Theme this year is “the interaction and interplay between the Low Countries and Italy in medieval and Renaissance sculpture”. Max Wiringa, Affiliated Researcher at Illuminare, will deliver a lecture at the conference, entitled “Giambologna and Della Porta”.
Op 19 oktober om 18.30 u vindt de vernissage van “Blauw-teken van de nacht” plaats in Salon Radical te Kortrijk.
Deze experimentele tentoonstelling toont een collectie Tunesisch textiel van Paul Vandenbroeck, schilderijen van Koen Broucke, linografieën van Linda Vinck en tekeningen van P.S. Vermeersch
Call for Papers: session on “Monastic libraries and book collections in times of crisis, c. 1000- c. 1600” at the International Medieval Congress in Leeds.
The scientific program for the 23rd Symposium for the Study of Underdrawing and Technology in Painting has been published on the conference website.
Conservator oude kunst Jip van Reijen (Bonnefanten, Maastricht) belicht het oeuvre van Claux de Werve in relatie tot de bourgondische beeldhouwkunst uit de eerste helft van de vijftiende eeuw.
In “Op een dag zonder datum” schrijft Barbara Baert tien brieven aan auteurs of kunstenaars die haar ontroeren en inspireren. Haar brieven vormen een variant op het genre van de ekphrasis: de virtuoze evocatie van kunst binnenin de taal.